The ego is in Imru' al-Qais's hanging

Abstract

The research aims to highlight the connotations of the ego in the Imru’ al-Qays suspension, and the topic has been addressed through four axes: the manifestations of the ego in the Imru’ al-Qays hanging, the ego and the other in the Imru’ al-Qays hanging, the ego and the association of memories in the Imru’ al-Qays hanging, and the stylistic form of the ego in Imru’ al-Qays’s hanging .

It relied on the analytical inductive method, and the methodology of scientific research.

The researcher reached a number of results, the most important of which are:

• The (I) manifested itself in Imru’ Al-Qays’s commentary in two types, the first: the sad, broken and painful (I), and the other: the (I) love, the lover and the frivolous one. This ego represents the social reality that Imru al-Qays experienced in his life.
• The (other) was represented in (the beloved of Imru al-Qays, his lover, and his friends), through a dialogue between the poet's (I) (the first person) and the other (the conscience of speech and the absent). The beloved was the central (other); Because it tired the poet and brought him trouble and sadness, while (lovers, friends) is another sub; Through (lovers) the poet wanted to win over the central Other, and through (friends) he wanted to use them in his grief brought on by the central other.
• The memories in Imru' al-Qays's suspension represented the ego's view of itself, a deep look that reveals its sorrows, pains, love, amusement and chivalry.